1,836 Royalty-Free Audio Tracks for "G String"

Register Viola demo, played without modulation. You will hear every key. Viola (8') is the same as Violin (4'), but one octave lower, like Trumpet/Horn. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Hendrix chord.

G7alt chord.

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Viennese trichord as dominant. Created by Hyacinth (talk) 21:31, 4 July 2010 using Sibelius 5.

Ballade No. 1 in G minor, op. 23 Italiano: Ballata n° 1 in Sol minore, Opera 23

Bach's "Little" Fugue in G Minor, BWV 578 performed by the saxophone section of the United States Army Field Band

Ditonic scale on G.

Artificial harmonic on D string: G', D', and B.

Example of a passage requiring bariolage from his Principes du Violon, p.79. Timbral effect synthesized.

Monochord mit 30 gleich gestimmten Saiten (1 min 51) Monochord with 30 strings at the same pitch (1 min 51)

Kurze Demo des Farfisa Syntorchestra

Dream Chord on G, tuned 12:16:17:18. MIDI pitch bend appears to match intervals.

Akkordglissando auf der Harfe

Sonatina No. 2 in G Major - III. Allegro by Aaron Dunn

G-sharp melodic minor scale ascending and descending.

Bengali movie song from Rajdhanir Bukey. PD as per section 27 of Bangladesh Copyright Act, 2000.

Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.

6. Streichquartett, op. 18, 2. Satz String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - II. Adagio ma non troppo

Claude Debussy String Quartet (1893) second movement opening.

G♯ natural minor scale ascending and descending.

Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann

The Huffman Prairie Winds of the United States Air Force Band of Flight perform Bach's "Little" Fugue in G Minor, BWV 578. Track 7 form Blue Skies (1993).

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

Schubert, String Quintet in C, final bars.

Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.

Guitar strings solo recording with zoom h2n. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

Excerpt from the third movement of the concerto poloniosy by Georg Philipp Telemann

Etiuda Ges-dur, op. 25 nr 9, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.

flute concerto in g major, k. 313 - i. allegro maestoso

Beethoven: String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - IV. (Adagio) La Malinconia

Recording of an open g-string of a fender stratocaster. Processed to remove noise.

National anthem of Pakistan performed instrumentally by the United States Navy circa 2003.中文（简体）：巴基斯坦国歌Hrvatski: Državna himna Pakistana - Pak sarzamin shad bad

National anthem of Pakistan performed instrumentally by the United States Navy circa 2003.中文（简体）：巴基斯坦国歌Hrvatski: Državna himna Pakistana - Pak sarzamin shad bad

Sound file of a brief passage from Mozart's Piano Sonata in G, K. 283 Third movement, starting measure 247. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8.